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![]() ![]() “(I’ve Had) The Time of My Life” from the 1987 smash hit movie Dirty Dancing starring Patrick Swayze and Jennifer Grey is what every songwriter aspires to achieve- an evergreen song. (Ive Had) The Time of My Life – īehind The Song (I’ve Had) The Time Of My Life – American … Watch New Singing Lesson Videos Can Make Anyone A Great Singer Now Ive had the time of my life No I never felt like this before Yes I swear its the truth And I owe it all to you Cause Ive had the time of my life And I owe it all to you Ive been waiting for so long Now Ive finally found someone to stand by me We saw the writing on the wall And we felt this magical fantasy Now with …ĭirty Dancing soundtrack – (Ive Had) The Time Of My Life lyricsīoth Ive had the time of my life. Now Ive had the time of my life No I never felt like this before Yes I swear its the truth And I owe it all to you Cause Ive had the time of my life And I owe it all to you Ive been waiting for so long Now Ive finally found someone to stand by me We saw the writing on the wall And we felt this magical fantasy Now with passion in our eyes … Check out her jaw-dropping American Idolaudition in the video below.I ve had the time of my life lyrics (Ive Had) The Time Of My Life – Here’s the challenge: Tell us you’re a writer without telling us you’re a writer. It came as no surprise that the judges unanimously voted to send Candace Baker through to the next round of auditions in Hollywood. Here are some inventive ways you can say I’m a writer without using the words I’m a writer. So without further ado, here’s all the songs George wrote, or co-wrote, for himself: I Can’t See Texas From Here A solo write from early in his. “Write this day down because it’s a dadgum special one for me. Dean is responsible for penning 1’s like Unwound, The Chair, Nobody in His Right Mind Would Have Left Her, Ocean Front Property, and Here for a Good Time. ![]() I wrote ‘potentially Top 10’ down,” Luke Bryan told the singer. “I think it’s one of the best auditions I’ve seen. “And in my head I’m saying ‘Alright, then see yourself to the door.'” “A lot of people come in and they go, ‘Well, I’m gonna sing “I’m Your Baby Tonight” by Whitney Houston’,” Perry said. Ill be there (Ill be there) (And I swear) I swear like the shadow thats by your side. Katy Perry added that most artists who audition with Whitney Houston covers get sent packing. I swear (and I swear) By the moon and the stars in the skies. And he had such a pocket….I mean, that pocket was so tight and then your daughter just stepped right in the pocket.” ![]() You came in with a professional guitar player that happens to be your dad. “People come in all the time with guitars. Richard Darbyshire is best known as the frontman for the 1980s synthpop group Living in a Box. Richard Simon Darbyshire (born 8 March 1960) is an English singer, songwriter, producer, and songwriting coach. ![]() He discussed how the song was written, how the song had surprisingly been passed on by many artists for five years, and how it was finally cut by Montgomery and then All-4-One. “I hope the judges see that I am my own artist and I do have what it takes.”Īccompanied by her father on guitar, Cadence performed a rousing cover of Whitney Houston‘s “I’m Your Baby Tonight.” The judges came to their feet for a standing ovation as soon as her performance ended, but they weren’t only singing the praises of Cadence. Chrysalis Records, Dome Records, Warner/Chappell Music, EMI, Polygram. In a new interview, Myers recalled the remarkable events which led to ‘I Swear’ becoming a worldwide hit. Prior to her audition, Cadence said that it’s been difficult to “pop out of that shadow” of being from a musical family. ![]() ![]() ![]() Unfortunately, Lightroom takes a performance hit when you work on external drives. Lightroom does let you store your settings with your catalog file, and really, if you're using the application on more than one computer the only efficient system is to store the catalog file and settings on a portable drive and carry it around. If you're switching machines, you have to dig into your system files to transfer all of your custom everything - including hidden folders on the - and there's still stuff that always gets left behind somehow. There's no way to create a copy on import or even to rename it on upgrade. ![]() For instance, you have to upgrade your old catalog not just to use it, but to import from it. Migrating and upgrading can be a major pain. Just the Smart Previews and regular Previews files for a single catalog of mine together take up more than 20GB on my portable drive. Otherwise, they'll use a huge amount of space out of your 20GB limit. Though it will work if you store your catalog in Creative Cloud, that only works if your catalogs are small and you don't use Smart Previews - which means you probably don't sync with the mobile apps and therefore have no reason to subscribe. Its database is based on SQLite, and that's why you still can't put catalogs on network volumes, either for personal or collaborative use. Selecting a region changes the language and/or content on remains hampered by its outdated architecture. To delete a copyright watermark, choose it in the preset menu, then click the menu again and choose Delete Preset .To rename a copyright watermark, choose it in the preset menu, then click the menu again and choose Rename Preset .Then, click the preset menu again and choose Update Preset. 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New technologies have rapidly changed driving, and not necessarily always for the better, the researcher says. What is safe behaviour for the driver of a car? This question has fascinated cognitive scientist Tuomo Kujala for over 15 years. In the meantime, clients such as Kay and Lois enjoy their newfound freedom and mobility.Ĭontributor Jon Morrison Winters is the lead planner on transportation and housing issues for Aging and Disability Services, the Area Agency on Aging for Seattle-King County, which is a division of the Seattle Human Services Department.In Cognitive Science, driver’s attention, technology , For more information on the funding process, see the Seattle Human Services Department’s Funding Opportunities webpage. ADS staff and community members serving on the RFP rating committee will review proposals and determine whether Driving Companions or a similar program will continue to receive funding from ADS. The RFP will give community agencies an opportunity to propose what they see as viable transportation solutions to serve the changing needs of older adults in King County. ![]() These funds will be included in the Aging and Disability Services Community Transportation Request for Proposal (RFP) in January. In 2018, the Seattle-King County Advisory Council for Aging & Disability Services (ADS) identified additional funds to keep the fledgling service up and running through June 2019. The Driving Companions project began as a pilot, with funding from the Seattle Department of Transportation (SDOT) allocated as part of the initial roll-out of the Age Friendly Seattle initiative. Her reasoning is that “they helped me, and if I can help someone else … why not?” You don’t have to wait around for two or three hours.” Lois plans to become a volunteer driver. They pick you up when they say they’re going to pick you up-drop off and pick up-which is fantastic. “I didn’t like … how long have to wait and then they have to wait two or three hours while they drop everyone else off before they get home,” she said. Before Lois heard about the Driving Companions Program, she paid a private service. She needed someone to take her to medical and physical therapy appointments while she figured out how to navigate Seattle. She has a working car now but plans to continue using the program because of “the comfort of her driving, the cost and nastiness of parking, and then the gas.”Īnother participant, Lois, recently moved to Seattle. So and I got together, and I simply rode with her.” Kay said that having a ride to work saved her a lot of time and money. In the meantime, I’m without a car, and I had this part time job. I had a minor accident with it and the insurance company … trashed it. For example, Kay learned about the program through a friend at her senior housing complex. While this program is still new, clients are already responding. This allows them to identify a volunteer who is sure to deliver the service in a culturally and linguistically relevant way. Rather than relying on an existing network of volunteer drivers, Driving Companions clients recruit their own drivers from within their circle of friends, neighbors, and friends of friends. One such innovation is the Driving Companions program.ĭriving Companions is similar to volunteer transportation in that volunteers use their own vehicles to meet the transportation needs of older adults however, unlike most volunteer driver programs, Driving Companions involves an innovation to better serve communities of older adults who sometimes face disparities in accessing services. Today, new initiatives are responding to changing needs and changing technologies. Aging and Disability Services has partnered with Sound Generations for many years to support their volunteer transportation and nutrition transportation programs. 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"The powers that be have stressed that we are going to preserve the integrity of the show," Martsolf stated. Martsolf also highlighted an area where some DAYS fans have expressed concern, noting the integrity of the show. ![]() Home is where you hang your soap opera hat, and it's going to be great in the long run."ĬOMMENTARY: The highs and lows of DAYS' final week on NBC in Two Scoops "It's not actually difficult in any way, so we're just trying to get the word out that this is our new home. "We are asking fans to make a change, but it's a very simple change," added DAYS co-star Eric Martsolf (Brady Black ex-Ethan Winthrop, Passions). The length of the show could also change because each episode won't need to be whittled down to 38 minutes to fit into an hour timeslot with commercials. After that, though, Corday teases that the show "will be able to say and do things that are a little bit more titillating than on broadcast" television. It's great."ĭays of our Lives has already taped episodes through February, so viewers won't notice any changes until then. "When it was delivered, it was kind of like, but then it was like, oh, there's longevity, there's opportunity, there's all this great, refreshing news that's attached to it. I just didn't think it was going to happen so fast," Wilson admitted. "I think everyone knew it was coming down the line. But, Wilson said, that surprise quickly wore off, and he added that he and cast mates have embraced the change. Hall's co-star Robert Scott Wilson (Alex Kiriakis ex-Ben Weston) admitted that there was initially some "shock" about the timing of the announcement that the show would be moving to Peacock. "I think of Peacock as NBC and as our home, so I'm feeling very optimistic," said DAYS legend Deidre Hall, who originated the role of Dr. What do the stars of Days of our Lives think about the big move? The stars chatted with Soap Central from the Horton Town Square set to offer their thoughts. Corday called streaming "the future" and suggested that "in a year or two," all first-run dramatic television would move to a streaming forum. "The network always had the right to migrate the show exclusively to Peacock, and now they've decided to do so, and we're excited," Ken Corday said last month. The performance of two seasons of Beyond Salem and the Days of our Lives Christmas movie showed that DAYS fans were willing to stream content in numbers substantial enough to pave the way for the mothership series to follow suit. ![]() There was also excitement from fans who viewed the digital platform as a way for Days of our Lives to continue and thrive.Īs it turns out, the move from NBC to Peacock has long been in the planning stages. There was fear that the move to Peacock signaled an inevitable end to the soap opera. There was anger that a show that had been "free" for 57 years would now cost money to view. There was shock that DAYS would be leaving its network home of 57 years. As you might expect, the news was met with a range of reaction from fans. News of DAYS' move to Peacock first broke in early August. just in a new location: the Peacock streaming platform. But the sands will continue to pass through the iconic hourglass. Days of our Lives aired its final episode on NBC on September 9, 2022. ![]() ![]() ![]() This means when they do happen, they are a fun surprise that unleashes a burst of adrenaline. Instead, it teases them so well that you spend the first twenty to thirty minutes in a constant state of tension, knowing they're coming but having no idea when. Since the short film ends with the mother of all jump scares, the full-length version does not even try to shy away from them. The first act of the movie is the scariest and most well made. The problem is that Sophie's delusion might not be a delusion, it could be something that is a real danger to them all. Now her younger half-brother Martin (Gabriel Bateman) is struggling with the same fate, and Rebecca has to make the choice whether to run again or stay and help her family. ![]() Lights Out tells the story of Rebecca (Theresa Palmer), a young woman who clearly has some issues with commitment since she left home, an unhappy place where she was forced to deal with her mentally ill mother Sophie (Maria Bello) all alone since her father walked out. Maybe not the most unique or creative of stories, but with enough solid acting and scares to see it through. While lately the best horror films have been either independently made, like Resolution (2012) or not made in Hollywood, like The Babadook (2014), Lights Out is as solid as some of the better mainstream horror we have seen lately, on par with the likes of The Conjuring (2013). And while it's not as good as the short, it's certainly worth taking a look at. Not really a surprise, this movie had some big shoes to fill. So, did the feature-length film live up to its mini predecessor? No wonder this little film is now a feature-length summer blockbuster with A-list stars and a 5 million dollar budget. Speaking of YouTube, there are two channels which have had the original short film on them for two years. In fact, check out the reaction videos on YouTube, they're priceless. With no dialogue, just two performers, and only three chords of music spaced out over two minutes and forty seconds, I've seen that short scare the pants off of everyone who watches it. Okay, if you are a horror fan like me, odds are that more than one person has shown you Lights Out, a short film from 2013 that is about as close to perfect as horror gets. ![]() ![]() ![]() In cases such as the latter two, students should make explicit what constitutes their definition of authorship. In the case of an article, students could refer either to other articles by the same author or to the general editorial line of the medium in which the article was published. If identifying the single author of a non-literary text is not possible, students should use an ampler definition of authorship to broaden their discussion of the global issue. In the case of an advertisement, for example, students could refer to the other advertisements or commercials belonging to the same campaign, to other campaigns of the same brand or to other work produced by the advertising agency. In the case of a photograph, for example, the broader discussion should refer to other photographs by the same photographer. If the extract is a complete non-literary text, students should discuss relevant aspects of the broader body of work of the author of the text. If the extract is from a literary text which is part of a larger work studied, such as a short story, or if it is a complete text which is part of a work studied, such as a poem, students should discuss relevant aspects of the broader work as a whole in their individual oral. An extract may be a complete text in itself, for example a whole poem or an advertisement. As the student brings unannotated copies of these extracts to the individual oral, extracts which are too lengthy may hinder their ability to effectively expand the discussion to the text or work as a whole. Normally these extracts should not exceed 40 lines or present an unmanageable amount of material to be analysed. ![]() Students must select two extracts, one from the text and one from the work, that clearly show significant moments when this global issue is being focused on. The individual oral should be a well-supported argument about the ways in which both represent and explore the global issue. The work and text selected must have a clear connection with the global issue. In forms or text types where the number of lines may not be applicable, teachers should be guided by the volume of text that can be discussed in sufficient depth in the time available. ![]() An extract of no more than 40 lines should be selected from each which is representative of the presence of the global issue in it. One work and one non-literary text must be selected. In the lead up to the individual oral, the student must make a decision about which global issue and which text and work will be explored in the task. During this exploration process, the student will have investigated a series of non-literary texts and literary works and a variety of global issues. The individual oral is based on the exploration the student has carried out in the learner portfolio. THIS PROMPT IS MANDATORY FOR ALL STUDENTS ON THIS ASSESSMENT.Įxamine the ways in which the global issue of your choice is presented through the content and form of one of the works and one of the texts that you have studied. The individual oral addresses the following prompt. The texts used in the internal assessment must be different from those used in other assessment components. The same material cannot be submitted to meet the requirements of both the internal assessment and the extended essay. the usual quality of the student’s work. the requirements of the individual oralĪuthenticity may be checked by discussion with the student on the content of the work, and scrutiny of.It is the responsibility of the teacher to ensure that students are familiar with: The teacher should play an important role during both the planning stage and the period when the student is working on the internally assessed work. However, it is not the intention that students should decide upon a topic and be left to work on the internal assessment component without any further support from the teacher. The individual oral submitted for internal assessment must be the student’s own work. ![]() |
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